by Jack Gohn | Mar 1, 2014 | The Close Up, Theater Reviews and Commentary
This is a frontal attack on the Mormon faith structure, accomplished mainly by harping on things about it that seem ridiculous. And when the missionaries, the vectors of this rendered-ridiculous faith, are set loose in a country where their earnest but clueless activities endanger the population (putting villagers at risk of being shot in the head or subjected to female circumcision), I’m sorry, it’s about as affectionate as Christopher Durang’s takedowns of Catholicism.
by Jack Gohn | Nov 16, 2013 | The Close Up, Theater Reviews and Commentary
The point of von Mahlsdorf was that she survived, and in doing so permitted her collection and the world it evoked to survive as well. As she tells the audience at the end: “You must save everything and you must show it as is. It is a record of life.” Everything, in this case, including accounts that cannot entirely be reconciled with the documentary history. It is all, in some sense, true, all, in some sense, a record of life.
by Jack Gohn | Nov 16, 2013 | The Close Up, Theater Reviews and Commentary
Jersey Boys is probably the preeminent jukebox musical, beautifully presented. And if you can’t visit the New York mother ship, this will do nicely.
by Jack Gohn | Oct 25, 2013 | The Close Up, Theater Reviews and Commentary
That is not to say that Centerstage should not have produced it; indeed Centerstage is precisely the kind of venue it needs, a thoroughly professional stage traditionally committed to new works as well as classics, which will assemble a cast and crew fully capable of taking a good but flawed play on a complete shakedown cruise.
by Jack Gohn | Oct 25, 2013 | The Close Up, Theater Reviews and Commentary
We can all agree that the conclusions of Beneatha’s Place, both dramatic and thematic, make the play as a whole a satisfying contrast with Clybourne Park, if not yet its equal. The jury is still out on this coupling, however. I predict much greater success for it if Kwei-Armah, a man who seems incredibly busy on two continents, can find the time to work the kinks out his half of the pair. Paradoxically, the less slavish his adherence to Norris’s template, the greater the likelihood his play will be invited along on Clybourne Park’s victory lap.
I lived in London and Vienna before coming to the United States, and grew up mainly in Ann Arbor. I was writing plays and stories as early as grade school. My undergraduate years at the University of Pennsylvania, where I first reviewed theater, for the college paper, were succeeded by graduate study at the Johns Hopkins University, where I earned a doctorate in English Literature.