Cold-Hearted But Great Fun: A GENTLEMAN’S GUIDE TO LOVE AND MURDER at Dundalk Community Theatre

Cold-Hearted But Great Fun: A GENTLEMAN’S GUIDE TO LOVE AND MURDER at Dundalk Community Theatre

Getting Americans in a frame of mind where they’ll despise British aristocrats is like shooting fish in a barrel (unless they’re Americans who happen to be still in a daze from a viewing of Downton Abbey). And here the setup provides all the inducement we Yanks need to salivate for Limey blue blood: a highborn family, the D’Ysquiths, disowning a daughter because she eloped with a lowborn foreigner, and (most of them) behaving in impeccably beastly ways towards her son Monty.

Making Deportation Politics Personal: MISS YOU LIKE HELL at Baltimore Center Stage

Making Deportation Politics Personal: MISS YOU LIKE HELL at Baltimore Center Stage

All politics is personal, as the saying goes. Seldom is this point made with greater dramatic clarity than in Miss You Like Hell. The ending is powerful, but because of the politics. Miss You Like Hell illustrates, in a very personal and detailed way, how deportation policies damage and destroy lives and families, even away from the border. An enjoyable and uplifting evening of theater.

BRIGHT HALF LIFE at Strand Theater Company

BRIGHT HALF LIFE at Strand Theater Company

Bright Half Life is presented in a totally nonsequential fashion, and at nearly breakneck speed much of the time. We are left to piece together the whole story from dozens of fragments that appear and pass quickly, which can be both exhausting and exhilarating. And not just for us in the audience; this calls for enormous flexibility on the part of the performers too. Moments of ecstasy are juxtaposed with moments of terror, joy and sadness arrive cheek-by-jowl, and certain incidents are repeatedly revisited. The two performers must be emotional quick-change artists, and I found myself amazed watching as Ayesis Clay and Katharine Vary worked their way intrepidly through those changes.

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