Jack L. B. Gohn
Writer, Critic & Playwright
New Book!
What I Was Listening to When . . .
A Memoir Set to Music
Jack L. B. Gohn
Writer, Critic & Playwright
Though I practiced law for over a third of a century,
I have been a writer from childhood.
And even with a full-time practice, I never really stopped publishing in various papers, magazines and journals. I was bound to reach a point eventually of deciding I wanted to be a writer and nothing else. This website features three things I do now that the point has been reached. I review theater, write plays, and for a decade and a half, wrote a column commenting on law and policy. Common to all these pursuits is a commitment to fact and principles. You can’t run a society or write a play (or about one) well without candor, consistency, and a sense of humaneness and decency. Embodied in these pages is the history of my efforts in each of these pursuits.
Plays by Jack Gohn
I largely write about lawyers, but these are not conventional lawyer dramas. There’s a story of how legal careers begin, another about how they (and others) end. There’s a ghost story. There’s a thriller that does not include a single courtroom scene. And, moving away from my former profession, there’s a play about God – maybe told from God’s perspective, maybe not. And there will be more.
Theater Reviews & Commentary
Most Recent Post
Uncategorizable, Brilliant, and Profound: Bernstein’s CANDIDE at the Washington National Opera
When you hear the first few notes of the rollicking overture, you know Bernstein is genuflecting hard to Johann Strauss. Yet this is a story in which the principal characters are bayoneted, hanged, maimed, raped, prostituted, ravaged by disease, and enslaved, among other things, a story which, thematically, takes the characters and us right to the edge of the Nietzschean abyss and gives us a good long sobering look into it – not the sort of thing Strauss or Gilbert and Sullivan ever did.
Theater Reviews & Commentary
Most Recent Post
Uncategorizable, Brilliant, and Profound: Bernstein’s CANDIDE at the Washington National Opera
When you hear the first few notes of the rollicking overture, you know Bernstein is genuflecting hard to Johann Strauss. Yet this is a story in which the principal characters are bayoneted, hanged, maimed, raped, prostituted, ravaged by disease, and enslaved, among other things, a story which, thematically, takes the characters and us right to the edge of the Nietzschean abyss and gives us a good long sobering look into it – not the sort of thing Strauss or Gilbert and Sullivan ever did.
