Jack L. B. Gohn
Writer, Critic & Playwright
Jack L. B. Gohn
Writer, Critic & Playwright
Though I practiced law for over a third of a century,
I have been a writer from childhood.
And even with a full-time practice, I never really stopped publishing in various papers, magazines and journals. I was bound to reach a point eventually of deciding I wanted to be a writer and nothing else. This website features three things I do now that the point has been reached. I review theater, write plays, and for a decade and a half, wrote a column commenting on law and policy. Common to all these pursuits is a commitment to fact and principles. You can’t run a society or write a play (or about one) well without candor, consistency, and a sense of humaneness and decency. Embodied in these pages is the history of my efforts in each of these pursuits.
Plays by Jack Gohn
I largely write about lawyers, but these are not conventional lawyer dramas. There’s a story of how legal careers begin, another about how they (and others) end. There’s a ghost story. There’s a thriller that does not include a single courtroom scene. And, moving away from my former profession, there’s a play about God – maybe told from God’s perspective, maybe not. And there will be more.
Theater Reviews & Commentary
Most Recent Post
No Escape from the Hall of Mirrors in THE DEATH OF WALT DISNEY at Single Carrot Theatre
It becomes apparent that Walt’s effort to write about his demise, to force it into the role of conversational subject rather than himself becoming that death’s object and thereby losing the ability to write about it, is part of his struggle, and part of the reason he keeps reaching for the clicker with all those “cuts tos” in a futile effort to rejigger things in a way that will avert the conclusion. His motto is “Unless you’re one of the most important people who ever lived, what’s the point?” But there remains no point if you have no consciousness left to enjoy your importance. Hence the sight near the end of doomed Walt struggling to slow down and stretch out indefinitely the experience of his own final moments.
Theater Reviews & Commentary
Most Recent Post
No Escape from the Hall of Mirrors in THE DEATH OF WALT DISNEY at Single Carrot Theatre
It becomes apparent that Walt’s effort to write about his demise, to force it into the role of conversational subject rather than himself becoming that death’s object and thereby losing the ability to write about it, is part of his struggle, and part of the reason he keeps reaching for the clicker with all those “cuts tos” in a futile effort to rejigger things in a way that will avert the conclusion. His motto is “Unless you’re one of the most important people who ever lived, what’s the point?” But there remains no point if you have no consciousness left to enjoy your importance. Hence the sight near the end of doomed Walt struggling to slow down and stretch out indefinitely the experience of his own final moments.